I hate disclaimers… however, this is atrociously late for two reasons. One is an untimely passing in my extended “family.” The other is the simple fact that there’s no way I could possibly condense my thoughts on this man in just one day.

“Still and all, why bother? Here's my answer. Many people need desperately to receive this message: I feel and think much as you do, care about many of the things you care about, although most people do not care about them. You are not alone.”

We lost a good one recently. A great one, in fact. Though he’d never claim as much.

I don’t often comment on the subject of fallen public figures. I oftentimes find the subject morbid. In spite of my recent rant about Anna Nicole Smith (which was intended as more of a swing at news media), I’ve really only offered my thoughts on Richard Pryor, Dimebag Darrell and Johnny Cash.

But Kurt Vonnegut’s passing has jarred me significantly, and many others.

It was Vonnegut’s writing that really drove my style and my perception of life as we know it. While I don’t necessarily share all of his opinions (we would likely never have engaged in theological discussion, being that I’m Christian and he was a skeptic), I feel as though his stance on life in general resonated with me over the years.

I first discovered Vonnegut’s work in London some six years ago this time. I took a class in postmodernism in literature, and there were some real gems on the syllabus that I still have. The New York Trilogy, The Crying of Lot 49, Ulysses, and of course, Slaughterhouse-Five.

The latter is the one that really sticks out with me.

I was utterly mesmerized with Vonnegut’s prose and non-linear structure. It was something all too new to me in the world of literature. Not to mention the fact that the book’s protagonist, Billy Pilgrim, the perfect portrait of the unreliable narrator. To say that Slaughterhouse is an important contribution to American literature would be a massive understatement.

It’s not just an anti-war book, although that is surely a component. There’s something special about that one, but all of his works, really, are enlightening, refreshing reflections.

Vonnegut’s contributions are significant for a multitude of reasons, the least of which was not his message. No matter how bizarre or absurd his topic, the thrust of every one of his books is to make the reader question everything. Think for yourself. Whether the matters at hand be political, sociological, religious, scientific, whatever. He really covers the breadth of humanity.

And a humanist he was. Ultimately, Vonnegut’s fascination with humankind, be it from the stance of a cynic or an optimist (I really think it depends on the person in question), truly drives his stories and engages the reader in the plight of doing what’s best for humanity. Or at the least just exhibiting some goddamn good common sense, something we seem to lack a lot of these days.

The remarkable thing about Vonnegut’s books are really the protagonists. Or what he considers to be protagonists. Ultimately they’re not terribly proactive, certainly not in the classic, heroic sense. They also don’t fit the archetypal template of the textbook protagonist. They aren’t particularly good looking and are typically riddled with self-doubt. Moreover, they don’t have any real goal in life… they just sort of meander through the story, giving the impression that their fate is predetermined no matter what their goals.

Billy Pilgrim is a perfect example, perhaps the finest. He spends practically all of Slaughterhouse as a passive observer, merely bearing witness to the various atrocities of Dresden and the war in general. He is literally forced to glide through time, falling away wherever the space-faring Tralfamadorians take him.

It’s an interesting concept, and it’s something that’s gonna force people into working to figure it out. Like many aspects of life in general, it’s not terribly cut and dry. There are pieces that have to be assembled, loves. To quote a good friend of mine, the day of Vonnegut’s passing was “a sad day for anyone with a brain.”

It’s not light fare, and it’s not fluff. It’s easy to read but sometimes tough to dissect. It’s complex, phenomenal literature from a brilliant mind that will not be soon forgotten. They’re contributions that cannot be understated, and Vonnegut’s message needs to be loud and clear, now more so than ever.

Question everything, accept nothing.

“We are here on this planet to fart around and nothing more.”

So it goes.

Goodnight, and have a pleasant tomorrow.